Teoria 

Aspecto social

de Camming 

Teoria 

The NEW CAMMING PERSPECTIVE (2018) stems from Frankfurt School studies related to the massification of culture in the 60’s. These studies led by Theodor W. Adorno (philosopher and sociologist) describes the creation of standard people behavior in opposition to free behavior and rage in a Freudian concept of primitive emotions. The massification theory inspired Umberto Eco (semiotician, philosopher and literary critic) to divide the mass media from different means of communication between “integrated” [contemplatives of the current system (mass production)] vs. “apocalyptic” ones (reflective, critical and thinkers of the culture paradigm). 

 

This culture of mass media has similar traits to the Camming Industry because it enforces the patterns of the models’ behaviours, outfits, room decoration, etc., which has inspired me to undertake a research that allowed me to evaluate if it is more profitable when there is also verbal interaction established between camgirls and members of only visual interaction.

Through Umberto Eco’s approach to understanding mass media by the division mentioned previously (“Integrated” vs. “Apocalyptics”), I have been inspired to propose a dualism in the Camming Industry to understand the premium cam sites: “Old camming perspective” vs. “NEW CAMMING PERSPECTIVE” (NCP) (which is my contribution as a social scientist).

 

It is possible to compare Eco’s integrated concept to “the old camming perspective” due to the fragmented nature of both, leading to partial understanding of members needs (guys who are looking for cam sites only to satisfy sexual needs) and models’ objectification (girls who need to perform mechanically to please members’ sexual fantasies instantly addressed, without reflecting on the consequences to their own mental health).

Teoria 

ADORNO, T. W. Minima Moralia: Reflections from Damaged Life. London: Verso. (1951) 

Adorno, T. and Horkheimer, M. Dialectics of Enlightenment. New York: Herder and Herder, 1972.

________. Aesthetic Theory. University of Minnesota Press, 1996.

 

ANDERSON, P. The Origins of Post Modernity. London: Verso. (1998)

 

BAUDRILLARD, J. Simulacra and Simulation: The Body in Theory – Histories of Cultural Materialism. Publisher: University of Michigan Press. (1981)

_____________. Symbolic Exchange and Death. California: Sage Publications. (1993)

 

BAUMAN, Z.  Liquid modernity. Cambridge: Polity Press. (2000)

___________. Liquid Love: On the Frailty of Human Bonds. Cambridge: Polity Press. (2003)

___________. Liquid Life. Cambridge: Polity Press. (2005)

___________. Liquid Fear. Cambridge: Polity Press. (2006)

___________. Liquid Times: Living in an Age of Uncertainty. Cambridge: Polity Press. (2007)

___________. Does Ethics Have a Chance in a World of Consumers? Cambridge: Harvard University Press. (2008) 

 

COMTE, A. A general view of positivism. London: Reeves & Turner. (1880)

 

CONTRERA, M. S. Mídia e pânico: saturação da informação, violência e crise cultural na mídia. São Paulo: Annablume. (2002) – in Portuguese 

CSÍKSZENTMIHÁLVI, M. Flow and the Foundations of Positive Psychology: The Collected Works of Mihaly Csikszentmihalyi. CA: Claremont Graduate University (2014)

CYRULNIK, B. Les Nourritures affectives. Ed. Odile Jacob. (1993)

__________. The Whispering of Ghosts: Trauma and Resilience. Ed. Odile Jacob. (2003)

__________. Talking of Love on the Edge of a Precipice. Ed. Odile Jacob. (2004)

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